Showing posts with label 5 Stars. Show all posts
Showing posts with label 5 Stars. Show all posts

Monday, July 14, 2014

The Girl with All the Gifts by M.R. Carey

Title: The Girl with All the Gifts
Author: M.R. Carey (Mike Carey)
Original Publication Date: June 6, 2014
Publisher: Orbit
Pages: 460
Genre/s: Science-Fiction, Post-ApocalypseZombies












The Girl with All the Gifts is the book with all the treats.

The Girl with All the Gifts is Pandora's Box



























Deciding what to have for supper was a subtle battle of attrition. The fact that Pasta won is a victory I could have lived with. Working within the defined limits of cooking, I prepared everything that was needed, left the Pasta boiling, and waited. Everything was going smoothly, almost asking, begging, that something go wrong, just as it does every time I walk into this alien dimension called kitchen. I should have stuck there, waited for the pasta to be firm, except that I went ahead and read this, and that's when everything started to go pleasantly wrong. The only conscious act I seem to remember aside from reading is flipping through the introduction. Before I knew it, I was 1/3s done, with it, an indefinable black mass. Alas, I have burned the victor beyond recognition, and necessarily induced a palatal fit of sadness. No worries. This is, after all, the book with all the treats, if anything, it will get me through the night. And it did, for if night is defined by nothing else but a natural state of rest during which our eyes are closed and one becomes unconscious, it was then a very foreign concept in that limited instance. I went to bed, but not to sleep. I stirred and turned a page, I changed positions and turned another. And then again, as if sucked by this ineluctable book-induced vacuum where time is but a word and urgency a concept, I turned the final page. I just finished reading The Girl with All the Gifts and it brutally severed me from my reading reverie. It was 4 A.M. I have not prepared my arguments for today's moot court practice which will surely lead to a mediocre if not a laughable performance, I did not slip out of my clothes which left me aching on undesirable regions, my eyes were unsuitably watery, my eyelids were falling as if tied down with concrete barriers, I was so lightheaded as if I myself was walking on air. I did not sleep at all. No worries. After all, I just read The Girl with All the Gifts. And it has made all the difference.

And yes, it's that GOOD.

disclaimer: possible science-fiction bias in play

caveat: proper review forthcoming, perhaps after a good dinner and some sufficient sleep.

Monday, June 9, 2014

Chess Story by Stefan Zweig

Title: Chess Story
Author: Stefan Zweig
Original Publication Date: 1941
Pages: 84

I never won a single chess match against my father. He was kind like that, subtly teaching a victory unearned is a success undeserved. No truer words could have been said nor as easily forgotten, for after all those years, whether by natural imprint of innumerable defeats that leaves a sad ennui on the human  soul or by my inherent lackadaisical treatment of this royal game of chess, with its defined sixty-four squares faithfully clinging to white and black, black and white, bored me, until now.

Enlivened by an immaculate narration, this powerful novella brought me to the deepest recesses of the mind, through a ruthless frightful void where terror pure and uncompromising breathe, where black and white means a lot more than a chequered board, a struggle of the human mind in timeless nothingness, to find one self, or, to lose it. Zweig too breathe life to chess, black and white, white and black, the infinite permutations contained in this fixed 64 squares with 32 pieces. To say that Zweig and this novella has challenge my own conceptions of the human psyche is a gross understatement. They have rocked me to my core!

Thursday, May 1, 2014

The 48 Laws of Power by Robert Greene

Title: The 48 Laws of Power
Author: Robert Greene
Publisher: Viking Adult
Original Publication Date: September 1, 1998
Pages: 480

In the confines of my sociological classes, where my known companions were Locke, Hobbes, Machiavelli, Rousseau, and Mills, saying that I loved this book would perhaps even amount to an affront to the value I have assigned to it back then. 

When I entered law school and got oriented in the ways of the law, the cunning, ruthless, and decisive ways of the legal world, I appreciated this book. 

It was practical and in these present days it simply made sense. In a dog-eat-dog world, you had to arm yourself. This was the perfect weapon. But power can be achieved in a multitude of ways and Greene wrote this handbook in perspective of a certain limited spectrum. 

To avoid any definitional debate and to put this review's foundation on the right track, POWER as used in this book needs to be defined. I would mention Thomas Hobbes' working definition of power as derived from the Leviathan (4 STARS) as  “a man’s . . . present means, to obtain some future apparent good, which is divided into two kinds: (1) natural, derived from inborn abilities of the body and mind, including intellect, strength, wit, and artistic ability, and (2) instrumental, derived from the acquired faculties and advantages of friends, money, or reputation (1651),” but there is greater propensity to consider the definition written by Robert Dahl in his article: The Concept of Power (1957), (here's an online link to the article) stating that, "power is the ability of A to get B to do something he or she would otherwise not do. In the case of authority, B’s behavior is driven by obligation, not force, but the operative condition is the same: B does something he or she would otherwise not do because of A’s will."

The kind this book talks about is rooted in deception, it is sustained by cunning, and realized by manipulation. Yes, that is the kind of power this book seeks to achieve. So if dear reader, you seek such kind of power, continue on and revel in this book. The draconian, the Machiavellian, the power hungry, the deceiver, the cynic, now this one's for you. 

To which in the same sense I would caution the veracious and the pure souls in reading this. If you're one seeking the generous and the warm kind, I would go as far to suggest that you instead read the succeeding selections, for this book is effective like that, it can change someone. 

The Art of Loving by Erich Fromm (3 STARS)
A General Theory of Love by Thomas Lewis
A Lover's Discourse: Fragments by Roland Barthes
Because love is a powerful force just like that. :)

The title says it all. This book contains 48 laws of power to which one chapter is adroitly dedicated to the discussion of each law. The chapters' form can be generally characterized through first a discussion of the law itself and a recommendation on how to apply and realize this law. Greene further indurates these discussions by providing the nuances in every law and countering the said nuances themselves. The foregoing discussion is followed either by an allegory or an anecdote lifted from the lives of people who have been notable in the fields of war, politics, and deception, a list which the likes of Talleyrand, Clausewitz, Bonaparte, and Bismarck populate. Green concludes the chapters by providing a summary of the discussion through an approximated equivalent imagery representation and a brief quotation from a notable individual to probably stand as an authority on the matter. 

The writing is simple and direct as it should be for books categorized under the self-help genre. The typesetting is interesting, it somehow adds to the appeal of this book. Every chapter contains stories separate from the allegories and anecdotes directly infused in the discussion of the law itself (personally, I give thanks to this book for introducing me to Clausewitz, Gracian, and several other authors and books). These references are pivotal if not indispensable as Greene derives the strength of his arguments and laws from historical figures. Of course, his statements, however overreaching and cynical at times, seem to resonate with a certain veracity when kings, emperors, warlords, and philosophers of incomparable renown are included in the picture. What is surprising though is that a number of his references come from Baltasar Gracian, a Jesuit. 

Coming across the numerous reviews of this book, the discussion and debate of whether this book is amoral or immoral, sometimes bordering what some people designate as 'evil' strikes me as discussion that can be easily resolved, if not clarified. You see, people are not simply engaging in a definitional debate here. The contention of what is good and evil is a value judgement dispute, something that has been in place even before the history of man was conceived. I say this in recognition of the dangers that cultural relativity presents. This right here is the dilemma, if everything is relative, can there exist a universal moral code operative not only over a single class or culture but for the entire race that would help us in qualifying the contents of this book? Kant and his Categorical Imperative would agree that it exists, but let us not stray to far from this review. 

The point of all this is that, if you think  selectively trusting your friends (Law #2), concealing your intentions (Law #3), taking credit for others work (Law #5)... is good, then you may as well validly and relatively argue that this is a "good, heaven-sent" book, and so too does the converse work and I will leave you at that.  

The truth however is that a fine line does exist between what is good and evil. True, it is a fine line, but it is not something that is indiscernible. The sad thing is that most people choose to turn a blind eye rather than being critical and responsive. People furthermore tend  to consciously complicate simple things resulting in the unduly blurring of the boundaries, leading to our own undoing.   

If it helps, here's what Robert Greene thinks of what you've just read; 
"Everyone assumes I practise all of my own laws but I don’t. I think anybody who did would be a horrible ugly person to be around." (The Telegraph, 2010)

For all that, this still occupies a special space on the permanent bookshelf on my reading table, along with Machiavelli, The Little Prince, my hard won thesis, my camera's manuals and my journal, cradled securely by my direwolf bookends. It remains to be special, certainly not as valuable as when I first read it, but still worthy of the place it occupies.

If your looking for an academic read on power, read Power: A Radical View by Steven Lukes (4 STARS), a book containing a number of articles by key contributors in the field like Hobbes, Foucault, and Dahl. It explores the conception, aspects, derivatives and several perspectives in viewing power.

Tuesday, April 1, 2014

World War Z: An Oral History of the Zombie War by Max Brooks

Title: World War Z: An Oral History of the Zombie War
Author:  Max Brooks
Publisher: Crown
Publication Date: September 6, 2006
Pages: 342

I had to read this twice so that I could review it. The first time was wholly devoted for the satisfaction for my growing insatiable thirst of the literary work from the post apocalyptic zombie genre. The second, for the claimed critical review.

For all its worth, aside from genuinely giving the zombie genre a foothold to establish itself as a legitimate  class by itself, Max Brooks has successfully revolutionized the traditional platform of novel writing.

The employment  of an objective presentation of oral recorded histories is magnificent and reveling. Not only did it transcend the traditional, linear narrative form of story writing , it was employed masterfully so that the grand scenario was adroitly painted through the systematic presentation of personal stories. intellectually stimulating and a a clear literary pleasure in one. This is why I find it rather disappointing that the great dissenters of the greatness of this book is anchored on the argument that 'they' cannot seem to follow the story given its non traditional, non linear narrative form. Truly, a shame, but more so, a great loss.

I have yet to confirm my second point of adulation for Max Brooks writing(the truthfulness or rather the accurateness of material facts). Suffice it so say that he has written with a great range, albeit shortly. I love the possibilities Max Brooks has perpetuated in this book.

The critique of this work, if one may arguably call it, ironically lies with its form too, something I almost didn't notice at all, perhaps because at the subtlety with which Max Brooks has crafted this book. One reason this book is so enjoyable is that the persons from whom the oral histories have been taken were almost always witty, funny and smart ( I admit this is rather more personal than objective). All I'm saying is that it could be more realistic if there were some (more) natural (not boring) recorded oral histories. But I guess this has to be counter weighed with the ends the author sought to achieved, the enjoyability, and the marketability of the book.

P.S.
the movie is nothing like the book except for the concept of a u.n. worker and the high walls of Israel. It has merits as a movie, but as an adaptation, a lot has to be desired.

Sunday, March 30, 2014

The History of Love by Nicole Krauss

Title: The History of Love
Author: Nicole Krauss
Publisher: W.W. Norton & Company
Original Publication Date: April 1, 2005
Pages: 260

This is now one of the greatest novels I have read.

I would have settled with that, except that the History of Love is just too pleasing, that my terseness was rather forcibly rooted out by the book. I seldom review (if one could call them that) books that I rate with 4 to 5 stars.

I remember reading once, where I did I have long forgotten, a witty reason that justifies speechlessness. I have once tried to verify this and failed to substantiate the claim (perhaps I looked at the wrong place), though I have held on to it because of its appeal and the propensity for people to believe it, much like common myths we choose to believe in (like how taking vitamin c supposedly cures common colds).

I'm telling you this because I was literary left speechless, reeling, contemplating and pondering numerous times in the book. The fact that I am writing to you now tells you of the triumph this book has precipitated upon my centuries evolved amigdula. What it doesn't tell you however is how it won that battle.

Everything about this book is pleasing from the typesetting, the form, the plot, the characters, the message.

I mean how could have Krauss presented such depressing lives in a riveting manner? She has presented the book in such a way that I have felt that there was a light at the end of the tunnel. And that kept me going.

I think the message that the book wanted to impart, or what at least it was able to impart to me in this convoluted setting is that moving on and letting go cannot be done (or is next to impossible) in solitude, that we can only move on with the help of somebody else, whether that be another love interest, a friend, or most especially, a family member. It was a simple message carried out in a convoluted manner perhaps the aspect that could have founded of diminished the beauty of this book.

Wednesday, October 2, 2013

1984 by George Orwell

Title: 1984
Author: George Orwell
Publisher: Signet Classics
Original Publication Date: 1949
Pages: 328

Perhaps what makes this tale so gripping is the propensity of the imagined world to be translated in an objective observable human reality, more so as an empirical experience (not discounting that it may have been translated already). Orwell did a superb job merging a tragic romance and a corrupted political ideology. Worthy to be read beyond its years.

Thursday, September 5, 2013

Hyperion by Dan Simmons

Title: Hyperion (Hyperion Cantos #1)
Author: Dan Simmons
Publisher: Bantam Spectra 
Original Publication Date: 1989
Pages: 482

Whenever I come across an epic masterpiece a great difficulty in talking about it (in this sense, reviewing it) arises. Perhaps an empirical testament that Hyperion is nothing short of a masterpiece is that I have mulled over what I have to say over this work for an uncharacteristically numerous number of days (and still, ironically, I came up with technically nothing). I will struggle to mark my statement with brevity, lest I contradict myself and lose credence that Hyperion, is one that every sci-fi fan should read.

Every story has been told, one way or another, the gift of the author is in retelling that story and in such retelling, create a story of magnificence of his own. This is to say that Hyperion is a modern-sci-fi-setting retelling of the Canterbury tales. Six stories, woven into one epic masterpiece. This holds true to Hyperion, as one would later see. To say that Dan Simmons, in writing Hyperion, is gifted would be an understatement. He is a genius and his work a revelation. Once again, I am plunged to experience the unfathomable urge to read the book's sequel.

The Fall of Hyperion by Dan Simmons


Title: The Fall of Hyperion
Author: Dan Simmons
Publisher: Bantam Spectra
Original Publication Date: 1990
Pages: 517

I had a hard time getting a copy of this book considering the fame it has enjoyed. Perhaps such effects has bolstered the value of this book.

At the outset I would like to emphasize that Fall of Hyperion is more likely a part of the first book just as Endymion and Rise of Endymion are one, in other words, the series is actually more in the content of two books divided and stretched over four, pursued for the contingency that readers may experience some difficulty wading over a thousand paged story. At this point I actually do not mind if it was, Dan Simmons is great, and I would gladly add him up to the likes of people who can write a thousand paged story.

I love writers who do not talk down to their readers, who present complex ideas and let their readers understand, and who create a world and lets us visualize it.

The book still fundamentally carries the same format. POVs of the pilgrims later to be merged for the concluding parts. Dan Simmons did this in a masterful manner.

I revel at how he has created and developed the characters. They have remained true all throughout.

Sometimes I however pause at Dan Simmons' bombardment, literal bombardment of high-fallutin technical words that is categorically his world building and descriptive environment. I guess this is a standard of science fiction works, but to an extent Simmons is beyond any standard science-fiction work, and that tells a lot. Further, I see the embers of the story delving in parts that have been left in philosophical debates and religious contentions. I am interested at how Simmons will later play this on out. The work still delivers a wallop of a punch on the emotional level, and this is testament to how good Dan Simmons is. Take for example the moment where General Morpugo was leading the ship with his son saying 'I love you, Son'. This military man, who was fashioned to be uptight at all bearings, shattered all conceptions, and delivered such effect that it must be one of my favorite moments in the second book.